Bharat Natyam Dance

Bharatanatyam is the mostly admired of Indian dance and belong to the South Indian circumstances of Tamilnadu. Its olden times is well traditional. In the history it was knowledgeable and performed in the temples by a category of dancers known as the devadasis. It was a part of the religious rituals and has a long and ancient past. 

Bhojonon

The relevant features of Bharatanatyam are movements conceive in space generally either beside straight lines or triangles. In conditions of geometrical design, the dancer appear to merge a succession of triangles moreover several geometrical patterns. 

In nritta (pure dance) to the preferred moment series and a raga (melody), a performer execute pattern that disclose the architectonic gorgeousness of the type with a succession of dance unit call jathis or terminals. The torso is used as a unit, the legs are in a semi-plie form and the posture achieve the essential pose called araimandi. The nritta numbers include Alarippu, Jatiswaram,Satdam,Barnam and  Tillana, which are conceptual items not turning over and exact significance excepting that of cheerful dispose of  the dancer create multicolored forms of staggering visual good looks. 

Group Dance

Nataraj 

Natya or Dance is one of the most important division of Fine Arts. Bharat Natyam is also one of the a large amount  of popular dance appearance and it is a approach of worshipping the lord. It can be careful as a mixture of fabulous, historical, cultural and sociological tradition and usually accepted on to posterity. Dance in any figure give lot of gladness to the performer as well as the viewers who take pleasure in it with participation. It is established generally as a most important performing arts form which has melody , rhythm, expressions and emotion. Hence the name “Bharat Natyam”. It is one of the oldest forms of dance and it is proven that it has therapeutically lot of settlement to the human being . Each movement in Bharat natyam is well defined and gives benefits to the system.  Bharata Natyam has an significant position in our Indian customs. Bharat Natyam incorporate major three form of art in it. The Nataka, Natya and Sangeetha.  Bhatat Natyam equally involve dance and music. more than the time  Bharat Natyam has evolve and has taken a variety of interesting improvisation and innovative accompaniments to it by lots of famous artist, who include contribute their life moment for this great skill. The main three aspects of Bharatanatyam are: Nritta, Nritya and Natya. Nritta is rhythmical. Natya is the dramatic art, and is a language of gestures, poses and mime Nritya is a combination of Nritta and Natya  The term Bharata Natyam is codified by taking the Original syllables of Bhava (Expressions), Raga (Music) and Tala (Rhythm). Kritanam

Indian classical Dance

The term classical Sanskr. Shastriya terms introduces by Sangeet Natak Akademi to be noted  the Natya Shastra-based performing art styles. A very important things of Indian classical dances is the use of the mudra which very important for dancing or hand gestures by the artists as a shorthand sign language to narrate a story and to demonstrate certain concepts such as objects, weather, nature and emotion. Many types of classical dances include facial expressions as an integral part of the dance form.like Bharat Natayam,Kathak,Oddissi,Kathakali,Manipuri,Mohini Nattyam Etc.

As per the ancient treatises, dance is considered as having three aspects: natya, nritya and nritta. Natya highlights the dramatic element and most dance forms do not give emphasis to this aspect today with the exception of dance-drama forms like Kathakali. Nrityais essentially expressional, performed specifically to convey the meaning of a theme or idea.Nritta going on the second hand, is pure dance everywhere body movements act not communicate any frame of mind (bhava), nor do they express every significance. To currently nritya and natya successfully, a performer should be taught to converse the navarasas. These are: love (shringaara), mirth (haasya), compassion (karuna), valour(veera), anger (roudra), fear (bhayanak), disgust (bibhatsa), surprise (adbhuta) and silence (shaanta).  In terms of the classical ritual formulation in the Natyashastra, dance and music are an inextricable part of drama. The art of natyacarries in it all these constituents and the actor is himself the dancer and the singer, the performer combined all the three functions. With the passage of time the status of an independent and specialised art, marked the beginning of the 'art' dance in India.